Into the 80’s Scritti Politti

No band transformed themselves for the 80’s like Scritti Politti.

Formed in Leeds and then relocated to Camden London, the band were the epitome of the proto crusty indie scene of the late 70’s. Naturally they lived in a squat where no doubt they smoked a lot of dope and spent hours discussing political theory’s which led to them taking their name for political theorist Antonio Gramsci. These things were important at the end of the 70’s, it wasn’t enough to play a couple of chords on the guitar anymore you had to have at least a basic knowledge of dialectical materialism.

Their big hit in the world of John Peel was Skank Bloc Bologna a squall of jangly guitar and reggae influenced bass and drums distinguished by the vocals of vocalist Green Gartside. They fitted perfectly alongside the likes of Prag Veg or the Desperate Bicycles, it sounded great at the time, 40 years later its very hard listening indeed. Interestingly when I listened to it again a couple of days ago I though it sounded a bit like Henry Cow. Apparently they were one of Gartside’s favourite bands but their drummer Chris Cutler sent his copy back saying they should leave music business to the professionals, not very comradely !

Matters reached a head in 1980 when Gartside apparently suffered a heart attack after a gig. In fact, it was probably a panic attack but it signalled the end of the depivations of living in a squat that had been a crucial part of the Scritti experience.

Gartside returned to the family home in South Wales for several months for some rest, decent food and musical reflection. Not unsurprisingly he decided he didn’t fancy a return to the indie ghetto and that the likes of funk and disco were cheerier, sexier and more profitable. As someone who had formed a branch of the Young Communist League at the tender age of 14 he tried to reconcile the fact that Marxism didn’t always have to equate with ‘challenging’ musical noise.

Unfortunately, the rest of the band still preferred a lifestyle that didn’t necessarily include an indoor toilet or hot water and declined to become too involved in Gartside’s new accessible material. The band’s first new release The Sweetest Girl therefore featured a drum machine and Robert Wyatt on keyboards. The song was featured on the C81 cassette issued by the New Musical Express and like half the people who had been in further education I had a copy (and possibly still do have somewhere).

That was just about the end of my interest in Scritti Politti. They were soon to sign with Virgin Records (they had previously been with indie darlings Rough Trade) and had a big-name producer Arif Mardin. The result was a very 80’s sound, Fairlight Synthesiser, gated snare etc. The songs may have been great, what I have heard sounds quite Prince like but he’s another person for whom the 80’s sound marred a brilliant talent. Its just me I don’t really like classic 80’s music that much.

Like us all that was just something Gartside had to live through, more recently he’s been involved in a tribute to Nick Drake and is apparently making more organic sounds without gated snare.

And he’s still one of the brainiest men in pop>

This entry was posted in 80’s music, memories of 70s, rock music and tagged , . Bookmark the permalink.

2 Responses to Into the 80’s Scritti Politti

  1. wilwalker says:

    Yes I liked the early Scrit quite a lot – still have a copy of the double A side Asylums in Jerusalem/Jacques Derrida – but have to say also won over by their 80s pop manifestation which was pretty distinctive I think. As you say, clever chap that Green.

    Liked by 1 person

  2. Pippa Ward says:

    Interesting article. I always liked Scritti in the eighties (I’m a sucker for a Fairlight) but I didn’t know anything about their earlier line-up and work. Green always stood out to me as someone very different to the mainstream pop of the time but because I was so young I wasn’t sure why, now I know.

    Liked by 1 person

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